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I NEED YOUR CLOTHES, YOUR BOOTS, AND YOUR MOTORCYCLE ～Gerry宅～ Kate Oh, there he is... あ、いらっしゃい… Kate the sophisticated European! あか抜けたヨーロッパ人さんよ！ Niko I don t know about that. 何の事かな。 Kate So, how are you? それで、元気？ Niko Alright, yeah. ああ。 Ma Kate! Don t stand there talking to him on the door step, ask him in... Kate！玄関で立ち話してないで、入れてあげなさい。 Kate Come in. 入って。 Kate Ma, you remember the boy s friend, Niko? お母さん、あの子の友達のNikoよ、覚えてる？ Ma How are you? あんた、元気かね？ Niko Good, and you? はい。あなたは？ Ma Put it like this, my boys are out of control, my daughter can t find a man, and my husband is in hell. こう返事させてもらおうかね。息子達は手に負えないし、娘は男を見つけられないし、旦那は地獄にいるわ。 Ma I m thinking... God moves in mysterious ways. 私はね…神様が摩訶不思議な動きをしているんじゃないかと考えているんだよ。 Kate That s Mother for you. Always a joy. それ（神）があなたにとってのお母様ね。常にあなたを喜ばせて下さる。 Gerry Niko! You made it, huh? Niko！来たな。 Kate Well, I ll leave you to your men s talk. じゃあ、男同士の会話はあんたに任せるわ。 Kate I hope you impress each other. お互い、いい印象を残せるといいわね。 Gerry Hey, look at me. おい、俺を見ろ。 Gerry Yeah. Yeah... ああ、ああ…。 Gerry I thought so. そう思ってたさ。 Gerry You ll do fine. お前は上手くやるだろうとよ。 Niko Fine at what? 何をだ？ Gerry Some gimp work for the Pegorinos. Pegorinoの打ち紐の仕事をな。（たぶん、Kate達がまだ近くにいるので、当たり障りのない会話をしているんでしょう） Gerry I owe them. 俺も関わっているんだ。 Gerry Oh, please... ああ、頼むぜ…。 Gerry I d do it myself, but I think I m being watched by the cops, someone. それは俺が片を付けるが、警察か何かに監視されてるような気がすんだ。 Gerry I think I m about to get pinched again. またヤバい事になりそうなんだ。 Niko Shit, really? なに、マジかよ。 Gerry Yeah. It s happened before. マジだ。前にもあったんだ。 Gerry I keep seeing the same car watching. 同じ車がこっちを見ているのに気付いたんだ。 Gerry All means is someone s been speaking, we just have to find out who and make em stop. つまり、誰かが話し続けてるっつ～こった。だから俺らは、そいつをあぶり出して止めなきゃなんねえ。 Gerry In the meantime, I m gonna chill things out for a bit. その間、俺はちょっとだけ休む。 Gerry So... I need your help. だから…。お前の助けが必要なんだ。 Niko Okay. わかった。 Gerry Attaboy... come on, got something to show you. よっしゃ…来いよ。お前に見せたいものがあるんだ。 Gerry Now Pegorino s a funny guy. さて、Pegorinoは面白い奴だ。 Gerry Seems like his main motivation is putting his Guernsey crew on par with the five old families. 主にあいつの刺激でGurenseyの奴らは昔の五つのファミリーと同じレベルに達してるみたいだな。 Gerry Ancelottis being the weakest, he s decided to stir shit up for em. Ancelottisが最弱だから、くそをあいつらのために議論することに決めたらしい。 Gerry Now, the Ancelottis have an uneasy alliance with some Albanians. 今、そのAncelottisはアルバニア人と不安定な同盟を結んでる。 Gerry They use them as hitmen, thugs, bullies. そいつらは殺しや、強盗、イジメに使ってる。 Niko I know the type. その典型は知ってるぞ。 Gerry Much like Jimmy the Guido uses us. So, What you re gonna do is disguise yourself as an Albanian, and then go whack Frankie Garone, an Ancelotti long time capo. GuidoのJimmyが俺たちを使ってるみたいなものだな。それで、お前はアルバニア人になりすまして、Frankie Garoneを殺してくれ、Ancelottiの古株の首領だ。（capo：マフィアの首領） Niko Sure. Which Albanian? オッケー。どのアルバニア人だ？ Gerry This one. こいつだ。 ～外～ 指示 "Get on the motorbike." バイクに乗れ 指示 "Go to the meeting point." 話し合いの場に向かえ ～目的地到着～ Frankie Garone Fucking sneaky scumbag. 卑怯でウザい奴だ。 Frankie Garone Tony Black didn t do nothing to nobody who didn t deserve it. Tony Blackは価値のあるやつしか相手にしねぇんだよ。 （Nikoの存在に気づきバイクで逃走） Frankie Garone What the fuck? なんじゃ、こりゃ！ Frankie Garone We re going to the mattresses for sure. ぜってぇ、そのうちおねんねするな、俺ら。 ～追跡開始～ 指示 Take out Frankie Garone. Frankie Garoneを倒せ （ターゲットを見失った時＝ミッション失敗） 指示 Frankie Garone survived. Frankie Garoneは生き延びた。 ～Gerryに電話（ターゲット抹殺時）～ Niko Frankie Garone s sleeping with the fished. Frankie Garoneは探してたのと一緒におねんねしてる。 Niko Anyone who saw us is going to describe the Albanian you got on ice. 俺らを目撃した奴はみな、あんたが殺したアルバニア人のことを説明するな。 Gerry Nice work. Real nice. いい出来だ。マジですげえぜ。 Gerry I ll let Jimmy P know about that. I ll cut you in on anything he throws my way. Jimmy Pに伝えておこう。こいつが俺に託したもの全部に、お前も参加させてやるよ。 Gerry Don t know how long I m gonna be outside though. まあ、あとどれだけ外にいられるかわかんねえけどな。 Gerry I feel like the cops might knock Ma s door down at any moment. Take me to the pen. サツが今にも家のドアを叩くんじゃねえかと。で、俺を牢屋に連行すると。 Niko Good luck with that, Gerry. 頑張れよ、Gerry。 Gerry Yeah thanks. Please. Look after my family if I go inside. ああ、ありがとよ。なあ、俺が牢屋に行っちまったら、家族のこと頼むぞ。お願いだ。 ～Gerryに電話（ミッション失敗時）～ Niko Frankie got away from me, Gerry. I m sorry. Frankieは逃げて行っちまったよ、Gerry。すまない。 Gerry Damm these guidos is slippery. このくそguidoは頼りになんねえな。 Gerry I thought you d have him for sure. Alright come back and meet me at Ma s place. お前なら、奴を殺ってくれると思ったのに。まあいい。ママの家に戻ってきてくれ。
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Act.4 巣窟 正念場 Cole：Mmm-hmm, so this is Nexus, huh? コール：ふーむ、ここがネクサスか？ Baird：Still don t get how they could have built all this shit so fast. ベアード：こんなでかいもんいつの間に建てやがったんだろうな。 Marcus：Ah hell, we still don t know how long they been down here. マーカス：さぁな、奴等がいつからここにいるかもわからねぇんだぞ。 Baird：And all this Imulsion... are they thriving off of it? ベアード：それにこのイミュルシオンだ…これのせいか？ Marcus：Maybe. But that queen of theirs keeps talkin about reachin the surface. マーカス：多分な。だがクイーンは地上行きの話ばっかりだぜ。 Mirrah：On the surface of Sera, we shall find our destiny. ミラ：セラの地上で、我々の運命をつかむのです。 Marcus：Speak of the devil. マーカス：噂をすればだ。 Dom：Reavers! ドム：リーバーだ！ Baird：No shit! ベアード：マジかよ！ Marcus：Shoot em down before they knock us off the cable! マーカス：撃ち落とせ、ケーブルを切られるぞ！ Cole：We got some more! コール：また来たぞ！ Mirrah：These creatures cannot hope to stop us. ミラ：奴ら等我々の敵ではない。 Mirrah：The Lambent know not our full strength. ミラ：ランベントなど蹴散らしてしまいなさい。 Baird：Uh, what the hell s she talking about?! ベアード：なあ、あれ何の話だ？ Marcus：Baird, shut up! After the fight! マーカス：ベアード、黙れ！後にしろ！ Mirrah：We will drown them in their own blood. ミラ：自らの血の海で溺れさせてやりなさい。 ケーブルカー乗り換え Cole：This thing s about to go, Marcus! コール：こいつヤバいぜ、マーカス！ Marcus：Everybody, off! マーカス：みんな、乗り移れ！ Cole：Whoo boy, that s a long way down, ain t it, grub?! コール：おい見ろよ、まっさかさまに落っこちてくぜ？！ Marcus：Almost there. Keep at em, Delta! マーカス：もう少しだ。踏ん張れ、デルタ！ Mirrah：The Riftworm is dead. Yet still we will vanquish our enemies. ミラ：リフトワームがいなくとも、我々の勝利は揺らぎません。 パレス到着 Marcus：All right, Delta, let s find a way in. マーカス：よし、みんな、入り口を探せ。 Mirrah：Destroy them! We must reach the surface! ミラ：やつらを排除しなさい！地上に辿り着かなくてはなりません！ Mirrah：The Lambent are inferior! Destroy them for your queen! ミラ：ランベントは劣等種です！排除しなさい、クイーンの為に！ パレス内イベント Baird：Why the hell are they in such a hurry? ベアード：なんであんなに慌ててるんだ？ Cole：Looks like we must be kickin some serious ass. コール：俺たちにビビってるんじゃねぇか Marcus：I don t think it s us. Too far from the beacon. Must be somethin else going on. マーカス：俺らじゃない。ビーコンからは遠すぎる。何が起きてるんだ。 Dom：Are they fighting each other? ドム：同士討ちか？ Cole：What the hell? コール：どうなってんだ？ Mirrah：The Lambent are inferior! The plague must be stopped! ミラ：ランベントは劣等種です！災いを食い止めなさい！ 分岐道(右) Marcus：Dom, you and Baird take the left. Cole and I got the right. マーカス：ドム、ベアードと左へ行け。コールと俺は右だ。 Marcus：Ah shit. マーカス：ああクソっ Mirrah：Like the humans, the Lambent are weak. Crush them beneath your feet. ミラ：人間共同様、ランベントは脆弱です。踏み潰してしまいなさい。 Cole：Ah, shut your trap, bitch. コール：ああー少しは黙れよ、ボケ。 It s the Lambent things, like we saw at the Imulsion factory, but like a whole army of em. 発行性ローカスト、イミュルシオン工場にいた奴等だ、大量にいやがる。 広場イベント Baird：Yo, Dom. Don t touch that shit. You could get rustlung off that or somethin . I don t know, man, it looks infected. ベアード：ようドム。触るなよ。 肺さび病になったらどうすんだよ。伝染るかもしれねぇんだぜ。 Dom：Yeah. Good call. ドム：ああ。そうだな。 Cole：Let me get this shit straight. The regular Locsut are fighting the glowin Locust? I thought they were all on the same side. コール：どうなってんだ。 普通のローカストと光るローカストは敵対してるってわけか？仲間同士だとばかり。 Baird：I was wondering why we were doing so well. ベアード：話がうますぎると思ったぜ。 Marcus：Well, that explains their desperation in the raids-they re losin their home turf to the Lambent. マーカス：だから必死だったんだな。発行性の奴らに本拠地を乗っ取られそうなんだ。 広場会話 Marcus：Get back into cover! マーカス：カバーに戻れ！ Mirrah：Never give up, my children. You are Sera s saviors! ミラ：諦めてはならない！お前達がセラを救うのです！ Dom：They re definitely fighting another war down here. ドム：奴等はもう一つ戦争をしていたのか。 Baird：Good thing too.... I have a feeling we wouldn t have lasted this long without some help. ベアード：そりゃよかった…俺達だけじゃここまでもたなかったかもな。 Cole：Don t those things explode? コール：こいつら爆発しないのか？ Marcus：Yeah, usually. Keep your destance. マーカス：そのようだな。取り敢えず離れとけ。 Mirrah：Excellent, my children. Your bravery does your queen proud. ミラ：よくやった。お前達の勇気は私の誇りです。 リフトでの戦闘 Marcus：Here come some more! Take cover! マーカス：また来たぞ！ 身を隠せ！ Marcus：Clear the Lift! マーカス：リフトを制圧しろ！ リフトでのイベント Cole：Yo, those glowy-ass Locust are comin ! コール：おい、光りもん連中が来やがるぜ！ Baird：I m on it. ベアード：任せろ。 Cole：Got im! Are you seein this shit? コール：よし！ 何だこりゃ？ Marcus：Yeah. Unfortunately. マーカス：ああ。ぞっとしねぇな。
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歌詞 動画 アルバム曲目リスト Artist Backstreet Boys Album Unbreakable Year 2007 Title Everything But Mine 歌詞 Walking along the sky Chasing a glimpse of you Painting a world with stars I found inside your eyes Up here above the haze Everything looks so clear Wondering what it would be like if you were here And time, it takes time (takes time) But I can’t wait To tell you how I feel Oh, you’re the calm when my world is crashing My heart, my blood, my passion Why, tell me why You’re everything but mine I hold you close when it all goes crazy And through it all, you’d be my lady Why, tell me why You’re everything, everything but mine You don’t have to be afraid Of somebody else’s touch Just gimme a chance to prove Just how you should be loved And time, it takes time (takes time) It’s not too late To tell you how I feel Oh, you’re the calm when my world is crashing My heart, my blood, my passion Why, tell me why You’re everything but mine I hold you close when it all goes crazy And through it all, you’d be my lady Why, tell me why You’re everything, everything but mine Everything thing but mine, ooh Mine I know, oh baby Someday you’ll come around I’m gonna leave the light on And I won’t let you down No I won’t let you down I won’t let you down Oh, you’re the calm when my world is crashing My heart, my blood, my passion Why, tell me why You’re everything but mine I hold you close when it all goes crazy And through it all, you’d be my lady Why, tell me why You’re everything, everything but mine You’re everything but mine, yeah You’re everything but mine, yeah, ooh You’re the sun You’re the star You’re the moon You re the rain Love your lips, love your eyes Drivin me insane Oh baby, baby Oh you re everything but mine, yeah You re everything but mine 動画 ) アルバム 曲目リスト Unbreakable (Snys) 1. Intro 2. Everything But Mine 3. Inconsolable 4. Something That I Already Know 5. Helpless When She Smiles 6. Any Other Way 7. One In A Million 8. Panic 9. You Can Let Go 10. Trouble Is 11. Treat Me Right 12. Love Will Keep You Up All Night 13. Unmistakable 14. Unsuspecting Sunday Afternoon NEVER GONE (+DVD / PAL 0) ディスク：1 1. Incomplete 2. Just Want You To Know 3. Crawling Back To You 4. Weird World 5. I Still 6. Poster Girl 7. Lose It All 8. Climbing The Walls 9. My Beautiful Woman 10. Safest Place To Hide 11. Siberia 12. Never Gone 13. Song For The Unloved (Bonus Track) 14. Rush Over Me (Bonus Track) ディスク：2 1. Incomplete Video (Available in Dolby Digital Stereo and 5.1 Digital Surround) 2. Making of Incomplete 3. Photo Gallery (14 photos set to Incomplete Instrumental) 4. Bonus Audio Track Last Night You Saved My Life (Available in Dolby Digital Stereo and 5.1 Digital Surround) Greatest Hits-Chapter One 1. I want it that way 2. Everybody (Backstreet s back) 3. As long as you love me 4. Show me the meaning of being lonely 5. Quit playing games (with my heart) 6. We ve got it going on 7. All I have to give 8. Larger than life 9. I ll never break your heart 10. The call 11. Shape of my heart 12. Get down (You re the one for me) 13. Anywhere for you 14. The one 15. More than that 16. The perfect fan Black Blue 1. The Call 2. Shape of My Heart 3. Get Another Boyfriend 4. Shining Star 5. I Promise You (With Everything I Am) 6. The Answer to Our Life 7. Everyone 8. More Than That 9. Time 10. Not For Me 11. Yes I Will 12. It s True 13. How Did I Fall in Love With You Millennium 1. Larger Than Life 2. I Want It That Way 3. Show Me the Meaning of Being Lonely 4. It s Gotta Be You 5. I Need You Tonight 6. Don t Want You Back 7. Don t Wanna Lose You Now 8. One 9. Back to Your Heart 10. Spanish Eyes 11. No One Else Comes Close 12. Perfect Fan バックストリーツ・バック - Backstreet s Back（1997年8月1日） 1. Everybody (Backstreet s Back) 2. As Long as You Love Me 3. All I Have to Give 4. That s the Way (I Like It) 5. 10,000 Promises 6. Like a Child 7. Hey, Mr. DJ (Keep Playin This Song) 8. Set Adrift on Memory Bliss 9. That s What She Said 10. If You Want It to Be Good Girl (Get Yourself a Bad Boy) 11. If I Don t Have You imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 バックストリート・ボーイズ - Backstreet Boys（1996年11月21日） 1. We ve Got It Goin On 2. Anywhere for You 3. Get Down (You re the One for Me) 4. I ll Never Break Your Heart 5. Quit Playing Games (With My Heart) 6. Boys Will Be Boys 7. Just to Be Close to You 8. I Wanna Be With You 9. Every Time I Close My Eyes 10. Darlin 11. Let s Have a Party 12. Roll with It 13. Nobody But You 14. Don t Leave Me 15. We ve Got It Goin On (Marcus Radio Mix) 16. I Wanna Be With You (Amadin s Club Mix) 上へ
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CHAPTER XVII UP CHAPTER XIX CHAPTER XVIII Anne to the Rescue ALL things great are wound up with all things little. At first glance it might not seem that the decision of a certain Canadian Premier to include Prince Edward Island in a political tour could have much or anything to do with the fortunes of little Anne Shirley at Green Gables. But it had. It was a January the Premier came, to address his loyal supporters and such of his nonsupporters as chose to be present at the monster mass meeting held in Charlottetown. Most of the Avonlea people were on Premier s side of politics; hence on the night of the meeting nearly all the men and a goodly proportion of the women had gone to town thirty miles away. Mrs. Rachel Lynde had gone too. Mrs. Rachel Lynde was a red-hot politician and couldn t have believed that the political rally could be carried through without her, although she was on the opposite side of politics. So she went to town and took her husband--Thomas would be useful in looking after the horse--and Marilla Cuthbert with her. Marilla had a sneaking interest in politics herself, and as she thought it might be her only chance to see a real live Premier, she promptly took it, leaving Anne and Matthew to keep house until her return the following day. Hence, while Marilla and Mrs. Rachel were enjoying themselves hugely at the mass meeting, Anne and Matthew had the cheerful kitchen at Green Gables all to themselves. A bright fire was glowing in the old-fashioned Waterloo stove and blue-white frost crystals were shining on the windowpanes. Matthew nodded over a FARMERS ADVOCATE on the sofa and Anne at the table studied her lessons with grim determination, despite sundry wistful glances at the clock shelf, where lay a new book that Jane Andrews had lent her that day. Jane had assured her that it was warranted to produce any number of thrills, or words to that effect, and Anne s fingers tingled to reach out for it. But that would mean Gilbert Blythe s triumph on the morrow. Anne turned her back on the clock shelf and tried to imagine it wasn t there. "Matthew, did you ever study geometry when you went to school?" "Well now, no, I didn t," said Matthew, coming out of his doze with a start. "I wish you had," sighed Anne, "because then you d be able to sympathize with me. You can t sympathize properly if you ve never studied it. It is casting a cloud over my whole life. I m such a dunce at it, Matthew." "Well now, I dunno," said Matthew soothingly. "I guess you re all right at anything. Mr. Phillips told me last week in Blair s store at Carmody that you was the smartest scholar in school and was making rapid progress. `Rapid progress was his very words. There s them as runs down Teddy Phillips and says he ain t much of a teacher, but I guess he s all right." Matthew would have thought anyone who praised Anne was "all right." "I m sure I d get on better with geometry if only he wouldn t change the letters," complained Anne. "I learn the proposition off by heart and then he draws it on the blackboard and puts different letters from what are in the book and I get all mixed up. I don t think a teacher should take such a mean advantage, do you? We re studying agriculture now and I ve found out at last what makes the roads red. It s a great comfort. I wonder how Marilla and Mrs. Lynde are enjoying themselves. Mrs. Lynde says Canada is going to the dogs the way things are being run at Ottawa and that it s an awful warning to the electors. She says if women were allowed to vote we would soon see a blessed change. What way do you vote, Matthew?" "Conservative," said Matthew promptly. To vote Conservative was part of Matthew s religion. "Then I m Conservative too," said Anne decidedly. "I m glad because Gil--because some of the boys in school are Grits. I guess Mr. Phillips is a Grit too because Prissy Andrews s father is one, and Ruby Gillis says that when a man is courting he always has to agree with the girl s mother in religion and her father in politics. Is that true, Matthew?" "Well now, I dunno," said Matthew. "Did you ever go courting, Matthew?" "Well now, no, I dunno s I ever did," said Matthew, who had certainly never thought of such a thing in his whole existence. Anne reflected with her chin in her hands. "It must be rather interesting, don t you think, Matthew? Ruby Gillis says when she grows up she s going to have ever so many beaus on the string and have them all crazy about her; but I think that would be too exciting. I d rather have just one in his right mind. But Ruby Gillis knows a great deal about such matters because she has so many big sisters, and Mrs. Lynde says the Gillis girls have gone off like hot cakes. Mr. Phillips goes up to see Prissy Andrews nearly every evening. He says it is to help her with her lessons but Miranda Sloane is studying for Queen s too, and I should think she needed help a lot more than Prissy because she s ever so much stupider, but he never goes to help her in the evenings at all. There are a great many things in this world that I can t understand very well, Matthew." "Well now, I dunno as I comprehend them all myself," acknowledged Matthew. "Well, I suppose I must finish up my lessons. I won t allow myself to open that new book Jane lent me until I m through. But it s a terrible temptation, Matthew. Even when I turn my back on it I can see it there just as plain. Jane said she cried herself sick over it. I love a book that makes me cry. But I think I ll carry that book into the sitting room and lock it in the jam closet and give you the key. And you must NOT give it to me, Matthew, until my lessons are done, not even if I implore you on my bended knees. It s all very well to say resist temptation, but it s ever so much easier to resist it if you can t get the key. And then shall I run down the cellar and get some russets, Matthew? Wouldn t you like some russets?" "Well now, I dunno but what I would," said Matthew, who never ate russets but knew Anne s weakness for them. Just as Anne emerged triumphantly from the cellar with her plateful of russets came the sound of flying footsteps on the icy board walk outside and the next moment the kitchen door was flung open and in rushed Diana Barry, white faced and breathless, with a shawl wrapped hastily around her head. Anne promptly let go of her candle and plate in her surprise, and plate, candle, and apples crashed together down the cellar ladder and were found at the bottom embedded in melted grease, the next day, by Marilla, who gathered them up and thanked mercy the house hadn t been set on fire. "Whatever is the matter, Diana?" cried Anne. "Has your mother relented at last?" "Oh, Anne, do come quick," implored Diana nervously. "Minnie May is awful sick--she s got croup. Young Mary Joe says--and Father and Mother are away to town and there s nobody to go for the doctor. Minnie May is awful bad and Young Mary Joe doesn t know what to do--and oh, Anne, I m so scared!" Matthew, without a word, reached out for cap and coat, slipped past Diana and away into the darkness of the yard. "He s gone to harness the sorrel mare to go to Carmody for the doctor," said Anne, who was hurrying on hood and jacket. "I know it as well as if he d said so. Matthew and I are such kindred spirits I can read his thoughts without words at all." "I don t believe he ll find the doctor at Carmody," sobbed Diana. "I know that Dr. Blair went to town and I guess Dr. Spencer would go too. Young Mary Joe never saw anybody with croup and Mrs. Lynde is away. Oh, Anne!" "Don t cry, Di," said Anne cheerily. "I know exactly what to do for croup. You forget that Mrs. Hammond had twins three times. When you look after three pairs of twins you naturally get a lot of experience. They all had croup regularly. Just wait till I get the ipecac bottle--you mayn t have any at your house. Come on now." The two little girls hastened out hand in hand and hurried through Lover s Lane and across the crusted field beyond, for the snow was too deep to go by the shorter wood way. Anne, although sincerely sorry for Minnie May, was far from being insensible to the romance of the situation and to the sweetness of once more sharing that romance with a kindred spirit. The night was clear and frosty, all ebony of shadow and silver of snowy slope; big stars were shining over the silent fields; here and there the dark pointed firs stood up with snow powdering their branches and the wind whistling through them. Anne thought it was truly delightful to go skimming through all this mystery and loveliness with your bosom friend who had been so long estranged. Minnie May, aged three, was really very sick. She lay on the kitchen sofa feverish and restless, while her hoarse breathing could be heard all over the house. Young Mary Joe, a buxom, broad-faced French girl from the creek, whom Mrs. Barry had engaged to stay with the children during her absence, was helpless and bewildered, quite incapable of thinking what to do, or doing it if she thought of it. Anne went to work with skill and promptness. "Minnie May has croup all right; she s pretty bad, but I ve seen them worse. First we must have lots of hot water. I declare, Diana, there isn t more than a cupful in the kettle! There, I ve filled it up, and, Mary Joe, you may put some wood in the stove. I don t want to hurt your feelings but it seems to me you might have thought of this before if you d any imagination. Now, I ll undress Minnie May and put her to bed and you try to find some soft flannel cloths, Diana. I m going to give her a dose of ipecac first of all." Minnie May did not take kindly to the ipecac but Anne had not brought up three pairs of twins for nothing. Down that ipecac went, not only once, but many times during the long, anxious night when the two little girls worked patiently over the suffering Minnie May, and Young Mary Joe, honestly anxious to do all she could, kept up a roaring fire and heated more water than would have been needed for a hospital of croupy babies. It was three o clock when Matthew came with a doctor, for he had been obliged to go all the way to Spencervale for one. But the pressing need for assistance was past. Minnie May was much better and was sleeping soundly. "I was awfully near giving up in despair," explained Anne. "She got worse and worse until she was sicker than ever the Hammond twins were, even the last pair. I actually thought she was going to choke to death. I gave her every drop of ipecac in that bottle and when the last dose went down I said to myself--not to Diana or Young Mary Joe, because I didn t want to worry them any more than they were worried, but I had to say it to myself just to relieve my feelings--`This is the last lingering hope and I fear, tis a vain one. But in about three minutes she coughed up the phlegm and began to get better right away. You must just imagine my relief, doctor, because I can t express it in words. You know there are some things that cannot be expressed in words." "Yes, I know," nodded the doctor. He looked at Anne as if he were thinking some things about her that couldn t be expressed in words. Later on, however, he expressed them to Mr. and Mrs. Barry. "That little redheaded girl they have over at Cuthbert s is as smart as they make em. I tell you she saved that baby s life, for it would have been too late by the time I got there. She seems to have a skill and presence of mind perfectly wonderful in a child of her age. I never saw anything like the eyes of her when she was explaining the case to me." Anne had gone home in the wonderful, white-frosted winter morning, heavy eyed from loss of sleep, but still talking unweariedly to Matthew as they crossed the long white field and walked under the glittering fairy arch of the Lover s Lane maples. "Oh, Matthew, isn t it a wonderful morning? The world looks like something God had just imagined for His own pleasure, doesn t it? Those trees look as if I could blow them away with a breath--pouf! I m so glad I live in a world where there are white frosts, aren t you? And I m so glad Mrs. Hammond had three pairs of twins after all. If she hadn t I mightn t have known what to do for Minnie May. I m real sorry I was ever cross with Mrs. Hammond for having twins. But, oh, Matthew, I m so sleepy. I can t go to school. I just know I couldn t keep my eyes open and I d be so stupid. But I hate to stay home, for Gil--some of the others will get head of the class, and it s so hard to get up again--although of course the harder it is the more satisfaction you have when you do get up, haven t you?" "Well now, I guess you ll manage all right," said Matthew, looking at Anne s white little face and the dark shadows under her eyes. "You just go right to bed and have a good sleep. I ll do all the chores." Anne accordingly went to bed and slept so long and soundly that it was well on in the white and rosy winter afternoon when she awoke and descended to the kitchen where Marilla, who had arrived home in the meantime, was sitting knitting. "Oh, did you see the Premier?" exclaimed Anne at once. "What did he look like Marilla?" "Well, he never got to be Premier on account of his looks," said Marilla. "Such a nose as that man had! But he can speak. I was proud of being a Conservative. Rachel Lynde, of course, being a Liberal, had no use for him. Your dinner is in the oven, Anne, and you can get yourself some blue plum preserve out of the pantry. I guess you re hungry. Matthew has been telling me about last night. I must say it was fortunate you knew what to do. I wouldn t have had any idea myself, for I never saw a case of croup. There now, never mind talking till you ve had your dinner. I can tell by the look of you that you re just full up with speeches, but they ll keep." Marilla had something to tell Anne, but she did not tell it just then for she knew if she did Anne s consequent excitement would lift her clear out of the region of such material matters as appetite or dinner. Not until Anne had finished her saucer of blue plums did Marilla say "Mrs. Barry was here this afternoon, Anne. She wanted to see you, but I wouldn t wake you up. She says you saved Minnie May s life, and she is very sorry she acted as she did in that affair of the currant wine. She says she knows now you didn t mean to set Diana drunk, and she hopes you ll forgive her and be good friends with Diana again. You re to go over this evening if you like for Diana can t stir outside the door on account of a bad cold she caught last night. Now, Anne Shirley, for pity s sake don t fly up into the air." The warning seemed not unnecessary, so uplifted and aerial was Anne s expression and attitude as she sprang to her feet, her face irradiated with the flame of her spirit. "Oh, Marilla, can I go right now--without washing my dishes? I ll wash them when I come back, but I cannot tie myself down to anything so unromantic as dishwashing at this thrilling moment." "Yes, yes, run along," said Marilla indulgently. "Anne Shirley--are you crazy? Come back this instant and put something on you. I might as well call to the wind. She s gone without a cap or wrap. Look at her tearing through the orchard with her hair streaming. It ll be a mercy if she doesn t catch her death of cold." Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne s heart and on her lips. "You see before you a perfectly happy person, Marilla," she announced. "I m perfectly happy--yes, in spite of my red hair. Just at present I have a soul above red hair. Mrs. Barry kissed me and cried and said she was so sorry and she could never repay me. I felt fearfully embarrassed, Marilla, but I just said as politely as I could, `I have no hard feelings for you, Mrs. Barry. I assure you once for all that I did not mean to intoxicate Diana and henceforth I shall cover the past with the mantle of oblivion. That was a pretty dignified way of speaking wasn t it, Marilla?" "I felt that I was heaping coals of fire on Mrs. Barry s head. And Diana and I had a lovely afternoon. Diana showed me a new fancy crochet stitch her aunt over at Carmody taught her. Not a soul in Avonlea knows it but us, and we pledged a solemn vow never to reveal it to anyone else. Diana gave me a beautiful card with a wreath of roses on it and a verse of poetry "If you love me as I love you Nothing but death can part us two. And that is true, Marilla. We re going to ask Mr. Phillips to let us sit together in school again, and Gertie Pye can go with Minnie Andrews. We had an elegant tea. Mrs. Barry had the very best china set out, Marilla, just as if I was real company. I can t tell you what a thrill it gave me. Nobody ever used their very best china on my account before. And we had fruit cake and pound cake and doughnuts and two kinds of preserves, Marilla. And Mrs. Barry asked me if I took tea and said `Pa, why don t you pass the biscuits to Anne? It must be lovely to be grown up, Marilla, when just being treated as if you were is so nice." "I don t know about that," said Marilla, with a brief sigh. "Well, anyway, when I am grown up," said Anne decidedly, "I m always going to talk to little girls as if they were too, and I ll never laugh when they use big words. I know from sorrowful experience how that hurts one s feelings. After tea Diana and I made taffy. The taffy wasn t very good, I suppose because neither Diana nor I had ever made any before. Diana left me to stir it while she buttered the plates and I forgot and let it burn; and then when we set it out on the platform to cool the cat walked over one plate and that had to be thrown away. But the making of it was splendid fun. Then when I came home Mrs. Barry asked me to come over as often as I could and Diana stood at the window and threw kisses to me all the way down to Lover s Lane. I assure you, Marilla, that I feel like praying tonight and I m going to think out a special brand-new prayer in honor of the occasion." CHAPTER XVII UP CHAPTER XIX 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 23 23 (Tue)
https://w.atwiki.jp/stronghold_kingdoms/pages/16.html
目次 I ve found my village on the map, what does it look like? I can see my village but it looks a bit bare, what should I do first? How do I place buildings? Does it matter where I place buildings? What determines how many resources are produced by a building? When I try to place a building what does the number on the building mean? When I try to place a building the building is red? What resources are required to build buildings? How do I make wood? How do I make stone? How do I delete a building? How do I make food? Why can t I build more buildings when I have the resources? What does the bar at the top of the screen mean? No one appears to be working in one of my buildings? How do I make more peasants? Can I own more than one village? How does the spare unit space work? Building Limits Renaming your village What happens if my village is conquered? Salt Flats village - Why can t I place buildings on the left side? What happens with inactive players? Why isn t my brewery working? How do I go about purchasing a new village? I ve found my village on the map, what does it look like? Village_icon.jpg Click on the village tab to view your village. I can see my village but it looks a bit bare, what should I do first? We would recommend following the in-game tutorial and quests. 75px|thumb|right|Build panel75px|thumb|right|Building info How do I place buildings? Left click on the building in the build panel then hover over your village and left click again to place the building. NB Not all terrains allow the placement of buildings, check before that it doesn’t require a certain terrain. e.g. Iron Mines require Iron Ore on the ground, woodcutters need to be close to but not on trees, to work. Does it matter where I place buildings? Yes, placement is very important. Where you place a building determines how many resources that building will produce per day. Placing them closer to their storage building which may be the stockpile, keep, granary or Inn increases the total amount yielded per day. e.g. placing Apple Farms closer to the granary, will yield you more food per day. What determines how many resources are produced by a building? The amount produced per day depends on how close the building is to it s respective storage area i.e. stockpile, granary or village hall. The closer a building is to its storage area, the more resources it will produce. When placing a new building, the number displayed above it, is how much the building will produce each day. By clicking on a completed building, you can view how much that particular building makes per day, as well as the total production of all buildings of that type. When I try to place a building what does the number on the building mean? That is the amount of resources that the building will produce per day. The number will change depending on how far from the storage area the building is. Placing them closer to the storage type they need will greatly increase resource income. When I try to place a building the building is red? Either you do not have enough resources to build the building or you cannot place the building on that area of land. Some buildings can only be placed on specific types of land e.g. woodcutters must be placed around the edge of trees and stone quarries must be placed on stone. What resources are required to build buildings? All buildings require wood and/or stone to build them. Some other buildings also require gold. How do I make wood? To make wood place a Woodcutters Hut just outside an area of forest. How do I make stone? To make stone place a Stone quarry on an area of rocks. How do I delete a building? Click on the building and select Delete this Building . If the building is under construction or hasn t started building it will be deleted instantly and all the wood/stone/gold needed to build it will be returned. If the building is complete it will take sometime to delete and half the wood/stone/gold used to build it will be returned How do I make food? To make apples place an Apple Orchard near the granary, this is available in the farm tab. You will need to do research to be able to produce other types of food, such as Dairy or Wheat Farms from the farming tab. Why can t I build more buildings when I have the resources? A maximum of one building can be under construction at the same time in any given village. If you have a Premium Token running, you can queue up to 5 at once, per village. 300px|thumb|right|Village info bar What does the bar at the top of the screen mean? The top bar displays the current resources available to you in the selected village. You can see from left to right, the amount of wood, stone and food you have available. Further along you have the total village population/housing capacity and peasants available who can be made into workers for the village or be made into troops, merchants, scouts or monks. No one appears to be working in one of my buildings? If you do not have enough peasants available in your village, placing another hovel or disbanding troops or units may help to solve this. If your popularity is not high enough to attract peasants to come to your village, you need to boost your popularity. If your building are turned off. If you can see a Zzz sign above buildings, buildings are switched off. Click on a building with this sign and click Turn this on or Turn All Industries on . How do I make more peasants? You can make more peasants by placing hovels. The closer to the village hall you place your hovel the more peasants will be created. You can also research housing to improve the capacity in each hovel. You may need to raise your popularity to get peasants to come quicker, ways to do this include lowering taxes or giving a bribe, increasing rations, feeding more types of food, placing entertainment buildings. You can also disband troops or other units, if you wish to quickly get peasants into the village and therefore have workers available quickly. Can I own more than one village? Yes. Once you raise your rank to Alderman (12) you can own a second village. To take ownership of a second village, you would need to research leadership and own a captain. You could buy a village on the map, as long as you have purchased a captain and have 10,000 gold for the second village. You can also capture an enemies village by attacking an enemy and reaching the keep in the castle section. See the Table of Ranks to find out how many villages you are allowed to own at each rank. For the list of village types see the Village Table. NOTE Capitals are not included in the maximum number of villages i.e. it is possible to be Alderman (12) and own 2 villages + a parish capital. How does the spare unit space work? Each village can support a maximum of 500 units , units are anything which the player decides to create, such as troops, scouts, traders or monks. Each type of unit takes up different amounts of unit space out of the maximum of 500. Unit Unit space taken up Soldier,Catapult,Captain 1 Scout 10 Merchant 10 Monk 25 An example of this would be, with no scouts, traders or monks created, you could build the maximum army size of 500 troops. However, if you had created 8 scouts and also 10 traders in your village, then you have used 80 + 100 units, leaving only 320 unit spaces for any other units, leaving your maximum army size at 320. Building Limits The maximum amount of hovels you can place in one village is 10. Production buildings are 30 for each building type. While gardens and decorations have the following values Building Max available Flower beds 5 Formal gardens 5 Stone statues 10 Gilded Statues 5 Small Shrines 6 Large shrines 4 Dovecotes 5 Justice 4 Entertainment 5 Small Church 3 Medium Church 3 Cathedrals 1 The number of buildings left that you can place is displayed in the bottom right corner of the building icon in the build panel. Renaming your village To rename the village, first select the village you own and want to rename. Then using the main menu bar at the top of the screen. Click on Settings and then Rename current village . What happens if my village is conquered? If you have one village, you will be randomly assigned a new village on the map. You will keep all your gold, honour and research you have done. If you have more than one village, you will lose that village and be left with the rest of the villages you have available. Salt Flats village - Why can t I place buildings on the left side? The west side of the map is only for salt working buildings and no others. What happens with inactive players? A village will be automatically abandoned when a player hasn t played or is dormant for a specific period of time, this time is dependant on which rank they have reached. The higher the rank the longer it takes for the village to become abandoned. If a premium token is in play at the time of going inactive, they will stay active until the premium token runs out. Rank Days till inactive. Village Idiot 2 Bumpkin 3 Yokel 4 Peasant 5 Serf 6 Villein 7 Bondsman 8 Freeman 9 Commoner 10 Thane 11 Yeoman 14 Alderman 16 Gentleman 18 Page 20 Squire 22 Knight 28 Baron 32 Viscount 36 Earl 40 Marquis 44 Duke 48 Prince 60 Why isn t my brewery working? An Inn is required for the Brewery to produce ale. An Inn can be placed with no Breweries. How do I go about purchasing a new village? When you have reached rank 12 (Alderman) you can buy a second village (as opposed to capturing one). This will require gold, a captain, leadership research and is based on a few variables. If the new plot is inside the same Parish as another of yours, it will be significantly cheaper. If the new plot is in another Parish, or even County, the further away it gets, the more expensive. Rank and amount of villages also apply here too. Generally a new village price increments by 10k gold. A second village will cost you 10k gold. A third Village will cost you 20k gold (if within the same Parish, above rules will make it more costly) and so on. Additionally, Captains are required to purchase a village (1 per village), and the appropriate level of Leadership research needs completed. Each level of the research allows another village to be controlled, but requires a higher rank. The costs listed below are for a buyable village based within the same parish. Purchasing a village also requires Captains and completing the appropriate level of Leadership research. Amount of villages Cost in gold Leadership Research 2nd village 10,000 gold 1 3rd village 20,000 gold 2 4th village 30,000 gold 3 5th village 40,000 gold 4 6th village 50,000 gold 5 7th village 60,000 gold 6 8th village 70,000 gold 7 9th village 80,000 gold 8 10th village 90,000 gold 9 The purchase price is also affected by the distance the village you wish to buy is from the parish your current village is based within. Switching to a village you own located in a parish in closer proximity to the buyable village will reduce the purchase cost. View the table of ranks
https://w.atwiki.jp/matchmove/pages/53.html
Configuring Constraints Directly 制約を直接指定する 同じフィールド（XY、YZまたはXZと平行の）で、座標軸と平行であるか、同じことであるために2ポイントを束縛するTarget Point機能を使うことができます。たとえば、Ｘ軸と平行の2ポイント、床と平行の他の2ポイント、起源になる第5のポイントをセットアップすることができます。 後ろの壁（座標系のZ上）を決定する3つのトラッカーがあると思ってください。 1) 座標系コントロールパネルに切り替えてください 2) 3つのトラッカーがA、BとCであるならば、Bを選択し、そしてALTを押しながら（マック：command）、Aをクリックしてください。 3) 制約タイプをUnlockedからSame XZ PLANEに変えてください。 4) 同様にCを選択し、ALT（Command）を押しながらAを選んで、Same XZ Planeにセットしてください。 これは回転を部分的に明らかにするだけでした。BとCがAのまわりで自由に回転（Y軸のまわりの平面上のどんな点にでも）できるため、もう一つの回転を指定する必要があります。 垂直に列をなさなければならない他の2つのトラッカー、DとEがある場合は、EとAlt/Command-Click Dを選んで、Z Axis（または、それらが水平ならばＸ軸）に、平行にセットしてください。 Fine point：座標系をセットアップしたとき、それが最初のフレームで大まかに配置され、正しく方向付けされるように、あなたは3D内ででカメラを調節しなければなりません。さもなければ、さかさまにセットされたカメラで緊張をほぐすことができます。それは等しく有効なカメラ位置です。 （原文） Each tracker has individual constraints that can be used to control the coordinate system, accessed through the Coordinate System Control panel. The *3 button automatically configures these controls for easy use, but you can manually configure them to achieve a much wider variety of effects—if you keep in mind the mental picture of the busy little feet in the coordinate measuring machine. Those feet do whatever you tell them, but are happy to wreak havoc in any axis you do not give them instructions for. As examples of other effects you can achieve, you can use the Target Point capability to constrain two points to be parallel to a coordinate axis, in the same plane (parallel to XY, YZ, or XZ), or to be the same. For example, you can set up two points to be parallel to the X axis, two other points to be parallel to the floor, and a fifth point to be the origin. Suppose you have three trackers that you want to define the back wall (Z up coordinate system). 1) Go to the coordinate system control panel 2) If the three trackers are A, B, and C, select B, then hold down ALT (Mac Command) and click A. 3) Change the constraint type from Unlocked toSame XZ plane. 4) Select C, and ALT-click (Command) on A, and set it to Same XZ Plane also. This has nailed down the translation, but rotation only partially—the feet will be busy. You also need to specify another rotation, since B and C can spin freely around A so far (or around the Y axis about any point in the plane). You might have two other trackers, D and E, that should stack up vertically. Select E and Alt/Command-Click tracker D and set it to Parallel to Z Axis (or X axis if they should be horizontal). Details of Lock Modes ロックモードの詳細 There are quite a few different constraint (lock) modes that can be selected from the drop-down list. Despite the fair number of different cases, they all can be broken down to answering two simple questions (1) which coordinates (X, Y, and/or Z) of the tracker should be locked, and (2) to what values. ドロップダウン・リストから選択することができる相当な数の異なる制約（ロックします）モードが、があります。 異なるケースのかなりの数にもかかわらず、それらのすべては、2つの単純な質問に答えることに分類することができます： （1）トラッカーの座標軸（X、YやZ）は、どこにロックされるべきか？ （2）そして値はなにか？ The first question can have one of eight different answers all the combinations of whether or not each of the three coordinate axes is locked, ranging from none (Unlocked) to all (Lock Point). Rather than listing each of the combinations of which axes are locked, the list really talks about which axis is NOT locked. For example, an X Axis lock really locks Y and Z, leaving X unlocked. Locking to the XZ plane actually locks only Y. The naming addresses WHAT you want to do, not HOW SynthEyes will achieve it. 第1の問題は、8つの異なる答えのうちの1つを持つことができます： 3本の座標軸の各々がロックされるかどうかの全組合せです。（ロックなしから全ロックまでの8通り）。 軸がロックされる組合せの各々をリスト化するのではなく、リストはどの軸がロックされないかについて表示します。 たとえば、Ｘ軸ロックは、実際はYとZをロックします、Xはアンロックのままです。 XZ平面ロックとは、実際はY.だけをロックです。 The second question has three possible answers (a) to zero, (b) to the corresponding “Seed and Lock” spinner, or (c) the corresponding coordinate from the tracker assigned as the Target Point. Answer (c) is automatically selected if a target point is present, while (a) is selected for “On” lock types, and (b) for “Any” lock types. Use the Any modes when you have some particular coordinates you want to lock a tracker to, for example, if a tracker is to be placed 2 units above the ground plane. 第2の問題は、3つのありうる答えを持ちます： （a）ゼロ （b）Seed and Lockスピナーに従う （ｃ）Target Pointとして割り当てられたトラッカーから対応する座標軸 （ｃ）はTarget Pointが存在すれば自動的に選択されます。(a)はロックタイプが「オン」の場合に選択されます。（b）は「Any」ロックタイプです。 たとえば、トラッカーが接地平面より上の置かれた2つのユニットであるならば、トラッカーをロックしたい特定の座標を持つとき、Anyモードを使用してください Watch Out! If you select several trackers, some with targets, some without, the lock type list will be empty. Either select fewer trackers, or right-click the Target button to clear the target tracker setting from all selected trackers. Here s the total list 注意！ いくつかのトラッカー（ターゲットで）を選択するならば、ロック・タイプ・リストは空です。 少しのトラッカーを選択するか、Target ボタンを右クリックして全ターゲットトラッカーセッティングをクリアして下さい。 Lock Mode ロックモード Axes Locked 固定軸 To What 値 Unlocked None Nothing Lock Point X,Y,Z Spinners Origin X, Y, Z Zero On X Axis Y, Z Zero On Y Axis X, Z Zero On Z Axis X, Y Zero On XY Plane Z Zero On XZ Plane Y Zero On YZ Plane X Zero Any X Axis Y, Z Spinners Any Y Axis X, Z Spinners Any Z Axis X, Y Spinners Any XY Plane Z Spinners Any XZ Plane Y Spinners Any YZ Plane X Spinners Identical Place 同一の場所 X, Y, Z Target || X Axis X軸と平行 Y, Z Target || Y Axis Y軸と平行 X, Z Target || Z Axis Z軸と平行 X, Y Target Same XY Plane Z Target Same XZ Plane Y Target Same YZ Plane X Target Configuring Constraints for Tripod-Mode Shots 三脚-モード・ショットのための制約の構成 カメラが三脚モードで構成されるとき、より単純な座標システム設定を使うことができます。 三脚モードでは、全体的なサイジングは必要とされません、また、起源は必要とされませんし、許されません。 計算されたシーンは整列しなければならないだけです。ただしそれさえも必須ではありません。 最も単純な三脚調整構成は水平線上にある、もしくは、少なくとも水平線を作ってほしい2つのトラッカーを見つけることに頼ります。 2つのうち、1つにＸ軸であるよう命じます。100のノーマルのワールド・サイズの場合、座標X=100、Y=0、Z=0にロックするようにしてセットします。 ワールド・サイズが250であるならば、ロック・ポイントは250、0、0であるでしょう： 遠いトラッカーは、X2乗+Y2乗+Z2乗がワールド・サイズの2乗に等しい座標に、常にロックされなければなりません。 正しく示されるためにそれを除けば、制約が正しく働くことは、必要でありません。 1本の軸を明らかにして、他のトラッカーは「On XY plane（XY平面上）」（Y-UP座標の場合XZ）のラベルをはる必要があるだけです。 Tips： かなりの角度をパンする三脚shotの場合（120度以上）、カメラ、レンズで小さなシステムエラーが発生し、トラッキングはバナナ形のパスを引き起こすことがあります。 これを避けるために、水平線またはもう一つの直線に沿ってトラッカーの継承をセットしてください、そして、あるべき場所にそれらを固定pegしてください、さもなければ、aroll-axis lockを使ってください。 Constrained Points View After you have set up your constraints, you should check your work using the Constrained Points viewport layout, as shown here This is the view with the recommended (front/back-variant) constraint setup in Z-Up coordinates, as applied to a typical shot, after solving. Only trackers with constraints are listed, along with what they are locked to (coordinates or another tracker). The solved position is shown, along with the3-D errorof the constraint. For example, if a tracker is located at (1,0,0) but is locked to (0,0,0), the 3-D error will be 1. It will have a completely different 2-D error in hpix on the coordinate system panel. The constrained points view lets you check your constraints after solving, giving you the resulting 3-D errors, or check your setup before solving, without any error available yet. You can select the trackers directly from this view and tweak them with the coordinate system panel displayed. Upside-down Cameras Selecting the Desired Solution Many coordinate system setups can be satisfied in two or more different ways completely different camera and tracker positions that are camera matches, and satisfy the constraints. To review, the most basic 3-point setup consists of a point locked to the origin and a point locked to a specific coordinate on the X axis, plus a third point locked to be somewhere on the ground plane (XY plane for Z-up). This setup can be satisfied two different ways. If you start from one solution, you can get the other by rotating the entire scene 180 degrees around the X axis. If the camera is upright in the first solution, it will be upside-down in the second. The third point will have a Y coordinate that is positive in one, and negative in the other (for Z-Up coordinates). If you take this basic 3-point setup, and chase the setup of the second point from a lock to (20,0,0) to “On X Axis,” and add a separate distance (scale) constraint, there are nowfourdifferent possible solutions the different combinations of the second point s X being positive or negative, and the third point s Y coordinate being positive or negative. SynthEyes offers two ways to control which solution is used. Without specific instructions, SynthEyes uses the solution where the camera is upright, not upside-down. That handles the most common case, but if you need the camera upside-down, or have a setup with four solutions, you need to be more specific. SynthEyes lets you specify whether a coordinate should be positive or negative (a polarity), for each coordinate of each constrained tracker. The Coordinate System Control panel has buttons next to the X, Y, and Z spinners. The X button, for example, sequences from X to X+ to X-, meaning that X can have either polarity, that X must be positive, or that X must be negative. If there are two solutions, you should set up a polarity for an axis of one point; if there are four solutions, set the polarity for one axis of two points. For example, set a polarity for Y of the 3rdtracker, and an X polarity for the 2nd(on-axis) tracker. Subtleties and Pitfalls The locks between two trackers are inherently bidirectional. If you lock A to B,do not lock B to A. Similarly, avoid loops, such as locking A to B, B to C, and C to A. If you want to lock A, B, C, and D all to be on the same ground plane with the same height, say, it is enough to lock B, C, and D all to A. When you choose coordinates, you should keep the scene near the origin. If your scene is 2000 units across, but it is located 100000 units from the origin, it will be inconvenient to work with, and runs the risk of numeric inaccuracy. This can happen after importing scene coordinates based on GPS readings. You can use the Track/Shift Constraints tool to offset the scene back towards the origin.
https://w.atwiki.jp/fffkindle1212134/pages/25.html
Code Geass 10. Guren Dances Lelouch, a young outcast prince of Britannia, possesses two great powers. One of them is Geass, the absolute ability to compel any person to do whatever he commands. The other is the Black Knights, his military force assembled with the intent of destroying the Britannian Empire ruled by his father. Veiling his true identity behind a mask and the codename Zero, Lelouch has made his move to avenge his mother s murder and to create a world in which his younger sister Nunnally can find happiness. What will be the final outcome of these actions...? At this point, no one can predict. [OP] Lelouch Hm, a Britannian? Looks too confident to be a spy. An extremist? C.C Isn t it wonderful? How the number of recruits keeps growing. Lelouch And it was simpler than I ever expected. "While I bitterly hate the Britannians, I refused to condone terrorism." That s the prevailing view of most Elevens. C.C Then basically elevens support the Black Knights for the most part. Lelouch Which in turn makes it easier for us to operate as a whole. It s a huge help that people don t report our activities to the Britannians. Plus, I hear some group called Kyoto offer to send us some Knightmares. The number of informants has been increasing quickly, too. The Japanese can t resist jumping on the bandwagon. They hear well grounded buzzword enough they go. C.C Hence the "Knights for Justice" act. Lelouch Yeah, well everybody loves a hero, and what better hero than a knight. C.C I kind of doubt that s what a real knight for justice would say. Lelouch You don t thinks so? Diethard Yes, I was demoted from my position. In very much the same way that you were. Villetta We have no intention of letting the situation end this way. And we have the sneaking suspicion that you don t either. Diethard That s so? Well, who can say. Jeremiah We have a lead that might help us find zero. Villetta You re familiar with Ashford Private Academy? I want to investigate a male student attending there. I think he may be working with zero. Jeremiah Villetta and I are going to be shipping out with the military soon for duty. And will be stationed in the Narita mountains. Therefore... Diethard Narita? Isn t that where the Japan Liberation Front headquarters are rumored to be located? Jeremiah You may be a bit too clever for your own good. Diethard You overestimate me. Soldier Wow, it s amazing Soldier These are Glassgows, aren t they? Soldier Burais, a Japanese modification. Soldier I ve never seen these before. Soldier Man, the Black Knights have gotta some serious muscle. Soldier It wasn t easy to sign up with the BK. Soldier So that makes us special. huh? We re elites. [I m totally up.] Sugiyama Those guys from Kyoto, They believed in us. They sent us this. Soldier A completely made Japanese Knightmare. Kallen A Guren MK2. Minami Did you check up the manual? Tamaki I m really love in this. The big shots in Kyoto are recognizing us. We ve got their approval. Soldier Tamaki san, would you show me how to use this equipment here. Tamaki Oh sure. hang on, I ll be right there. Inoue Newbies, what are you gonna do? Lelouch First Tamaki and now Inoue and the rest are treating this like a party. Kyoto is backing multiple resistance groups, correct? Kallen Yes. Which means that we finally made it in. They know that we re worthy. Lelouch No, you re wrong there Kallen. This is merely a test they put to us. Kallen So, what if it is. This is still incredible. Lelouch You re an optimist. Kallen What s this? Lelouch The Guren Mk-II is yours now, Kallen. Kallen Mine? but we have a lot more people now, and we can t afford to lose you. We need the Guren s defense to protect you. Lelouch You re a top notch pilot. I m a commander. I ll use a Burai. But you re our only ace to play during a battle. Besides. You have a reason to fight. Kallen Right. Ohgi Zero. you got a second? We got some weird intel here from a Britannian who wants to join up with the Black Knights. Ohgi This maybe a trap to draw us out. I d say even if we wanna confirm the information it s too risky to contact him directly. But news like this isn t something we can just ignore. What should we do? Lelouch This weekend, we re going hiking. Ohgi What? Lelouch To the Narita mounts. Ohgi Very well, then. Nunnally Sayoko, we won t need any breakfast for my brother this morning. Sayoko He s going out? Nunnally He ll be leaving on a three day trip starting today. Sayoko Oh, I see. My, your brother s been going out quite a bit recently. Think it s a girlfriend? Nunnally Maybe it is. Soldier Sector five, nothing to report. Right. The next scheduled report will be in two hours. Soldier Of course, there s nothing to report. This area s controlled by the Japan Liberation Front. No one can just stroll in... Zero! Lelouch Relax, I only came to talk. I want you to ignore any unusual activity during your watch. Soldier Sure, no problem. Soldier Come on, it s your turn. Soldier What s the rush. We re just on regular duty, you know. Soldier I ve confirmed the signal from Zero. We re now moving to way point 2. Tamaki Hey, why doesn t Zero just use the radio in his Burai. Inoue And what do you suppose he meant when he said hiking? Minami Ah... military training, right? Tamaki Only with Zero in another location? Sugiyama Maybe we ll dig a hot spring. Soldier Is that why we brought those excavators. Soldier Then, hell, I m all for it. Tamaki Kallen, you heard anything about this? Kallen I haven t Tamaki You, Ohgi? Ohgi Nope, not a word. Ohgi Zero wasn t using the radio to avoid being traced. Is he serious about this? Lelouch The day I ve waited for has finally come, Cornelia. Darlton We re certain that the Japan Liberation Front headquarters are in this area. We ve already split 4 battalions into seven units and hidden them in the vicinity. We ve only to wait for the viceroy signal then we ll surround them in one fell swoop and wipe them out Euphemia And are you confident that the enemy won t show up outside the encirclement line? Cornelia You mean Zero? Darlton Have no fear about that. As the operation begins, we ll be blocking off the surrounding highways and mountain routes also. Cornelia Plus, we have reserve units. If zero is stupid enough to show up, it ll be the end of him. Milly What? You wanna meet her? Are you kidding? Do you know who you re talking about? She s a princess and you re just a citizen. What do you have in common aside from that hotel jacking. Nina Yes, but... as for Princess Euphemia, I never got to thank her. Milly Hm, there was a time when my family name had the influence to arrange that. So, tell me Nina, do you know what the social status is of a principal s grand daughter? Nina Um, not a very high one? Milly Correct, not very. Lelouch C.C., what are you doing here? C.C I said that I would protect you, didn t I? Lelouch Aren t you overdoing it? C.C I ve been wondering about something Lelouch, Why are you Lelouch. Lelouch I don t have time to discuss philosophy with you. C.C You changed your family sir name to Lamperouge but you kept Lelouch the name that was given to you at birth. How sentimental. You can t let go of the past. Lelouch Well, C.C. swings to the other extreme, doesn t it? It s not a human name. C.C Lelouch, do you know why snow is white? Snow is white because it s forgotten what color it s supposed to be. Soldier All units are in position. Cornelia Understood. Euphemia will provide logistical support From G1 as planned. Have her command medical group. Soldier Yes, Your Highness. Guilford Princess Cornelia. Cornelia Guilford, let me guess. This is about Euphie, isn t it? Guilford Yes. she really should be in a government agency, not... Lelouch But she s being unusually stubborn about this. She told me she wanted to see actual combat for herself. Euphemia What s that unit there holding to the rear. Soldier Our reserve force with an Eleven pilot. Euphemia What? You mean that s the Lancelot? Soldier As a rule, Numbers aren t permitted to operate Knightmares but that particular unit is an exception. Soldier The second prince is the patron of that unit. We have no say over their personal selection. But he said he wants them to have as many chances at real combat as possible. Ohgi Are you really going through with this? Lelouch Our opponent is Cornelia, whose forces are among the best Britannia has to offer. Ohgi Then why don t we cooperate with the Japan Liberation Front? Lelouch What was that? Ohgi, don t you believe in me anymore? Ohgi What do you mean? I was the one who asked you to be our leader, don t you remember? Lelouch Then there s only one answer to give. Ohgi Right. Darlton Viceroy, it s time. Cornelia Right. Commence operation. You, the Japan Liberation Front. You, who time has left behind. You, who have forgotten basic human decency. You and your dream of a bygone golden age shall fall and rot to nothingness. Katase We re under enemy attack? Soldier Yes sir. the Britannian forces has completely encircled the Narita mountains. We ve counted over a hundred units. Lelouch It s begun. Tamaki Huh? What the hell? You ve gotta be kidding, Zero. Those troops coming in have this whole area totally surrounded. There s no way out. Lelouch We ve already been cut off. Our only chance of surviving now is to fight. Inoue What? We can t fight the Britannians. Tamaki Let me get this straight. We re surrounded and you want us to fight them head-on? Sugiyama And we ll be fighting against Cornelia. Her forces are far stronger than any we ve encountered. Lelouch Correct. It would be a miracle if we win this. Ohgi Zero, what are you saying. Lelouch Even Messiahs need to perform miracles if they re to be acknowledged. Therefore, we have to produce our own miracle, don t we? Tamaki Now look, pulling this off isn t gonna be cheap! The price could be our lives! I knew it wasn t sane to make you our leader! It should be me! Lelouch Our path of retreat has been cut off. If you think you can win without me then shoot me! Someone, anyone. Since you ve joined the Black Knights, you have only two choices. You may either live with me or you may perish with me. Soldier We re completely surrounded and our underground reserve forces were captured all at once. Soldier General Katase. we ve received the message from Cornelia s forces demanding our surrender. Katase Imbecile. If we fall here then we ve lost and the whole resistant movement falls with us. Soldier Then general, do we engage the enemy in battle or do we dig in? Katase What about Tohdoh. Where is he? Soldier He s gone to Kyoto. To get the custom Burais. Soldier The four holy swords are traveling with him, too. Soldier If they re on schedule, they should be returning soon. but.. Soldier Tohdoh won t make it in time. Katase Prepare to send out the Burais. We ll break the encirclement on one side and evacuate. We ll show them the Japanese spirit and pride. This is our moment of truth. Soldier We believe that the enemy s main base is located in a mountains here, but we haven t pinpointed at yet. However until we obtain a list of their corroborators, we can t burn down everything with our aerial bombing. Soldier The enemy is engaging our encirclement, now try to breakthrough with some point. From there we ll be able to ascertain where their base is. Soldier Our forces are divided into three fronts. The units let by General Darlton here, General Alex here, and Viceroy Cornelia here. As for our flanking forces... what? Soldier It s enemy ECM. Darlton The main enemy force should be coming out anytime now. We re switching to ECCM mode, link up on channel alfa four. The enemy what are we calling them again? Soldier Burais, sir. Darlton Right, the rather like pseudo Glasgow, so watchout for them. Soldier Yes, my Lord. Cornelia How clever, they turned this whole mountain into a fortress. Guilford Your Highness, Please fallback. Cornelia Guilford, don t treat me as though I m another one of your women. Guilford Princess Cornelia. Soldier It s Cornelia. Soldier Don t panic. Take out their leader. Cornelia Insolent worms! Guilford Right, well then I ll cover you from the rear. Cornelia Hm, well Cornelia is here. Is there no one who will challenge me? Lelouch What s wrong? Challenge me and try to take me down. Tamaki All right, fine. Do what you want. Sugiyama We acknowledge you as our leader, Zero. Lelouch Thank you very much. I appreciate it. Announcement An evacuation order has been issued for this area. Anyone remaining must evacuate at once. I repeat. An evacuation order has been... Researcher Why did they choose this place... Researcher If the military should find the experimental data on Code R, it s all over. Researcher Oh my. Being inside the terrorist area, we thought it would be difficult for them to discover us. Researcher This was all General Bartley s decision, so there s no use in complaining about it. Cornelia They re too fragile. Darlton The enemy seems to be concentrated over here. This maybe the target. Split up now. Soldier No good. Our second attack wave had no effect. Katase Their sheer dominance is insurmountable. Guilford General Darlton, based on the analysis of the enemy s movements, I ve determined that the entrance to the JLF main base is that lodge located up on the mountain. Darlton I believe the proper word for this situation is "Bingo". Soldier Well, to be more precise sir.... Darlton Oh just call it and already, Mr. Literal. Cornelia Is that... Darlton? Guilford So, that s where the main enemy base is located? Cornelia Right. We ll be securing our position here. Guilford Are you sure about this? Cornelia I don t need to steal achievements from my subordinates. Send reserve force to back up Darlton. Looks like he ll be getting another medal. Lelouch Impressive as always Cornelia, a very logical deployment. However excellent though it is, it s also easy to read as is your location. Jeremiah I thought the reserve units were supposed to be assigned to General Darlton.. Villetta That s right, they were, but our unit has to secure the rear line of Viceroy Cornelia. Jeremiah You mean this is the rear line? You can t get any further away from the battlefield. How am I going to redeem my reputation out here if I m not even near the fighting? Soldier We ve lost contact with Nakamura s unit. Soldier No response from sector three. Soldier Major Tabata has been killed. Soldier Kurota and Kurata are gone, too. Soldier What about Nagai? Katase Where s Tohdoh. If only he were here the divine wind would blow. We d have another miracle of Itsukushima. Soldier Look out! Asahina Sir, don t you think this is a little extreme? Tohdoh Asahina, Chiba, prep the custom Burais ASAP. Tell Urabe and Senba behind us to do the same. Traffic is blocked off all around Narita. They ve already begun to attack. I just pray that we are in time. Darlton Now any resistance still remaining in Area 11... Cornelia ... will soon be finished. Lelouch Right, all preparations have now been completed. Black Knights. prepare to move out. Soldier Damn it, we have no choice. Soldier I don t wanna die. Soldier We ll make a miracle happen. Soldier Yeah, we ll have Zero with us. Lelouch We the Black Knights are going to launch a surprise attack on the Britannians from the summit of the mountain. Per my instructions, you will charge on most down toward point three. And the intent of this operation is to capture Cornelia, second Princess of Britannia. Our breakthrough route will be opened by the Guren Mk-II. Kallen, use penetrating electrode number three, settle things with one blow. Kallen Got it. Output confirmed. Wave surger level is ready and holding. Activating gun bullet now. Kallen It worked! Soldier Ooh... What s happening? Soldier Is this an earthquake? Soldier At a time like this? Aah! Soldier What the hell? Euphemia What s happening? Soldier Impossible. How could a landslide come out of nowhere. Soldier Alex and Darlton s units are getting wiped out! Soldier Climb. Get to higher ground. Cornelia Status report. Soldier We re still trying to confirm. Guilford Your highness, fall back. You re in danger there. Cornelia I don t care. Forget about me. Find out about Darlton. and where s Alex? Soldier Will this place hold together? Soldier This center area should make it through. Lloyd Oh my, at this rate they ll be swept all the way to the bottom. Cecile These heat readings are abnormal. Do you believe a hydrovolcanic eruption was artificially induced? Lloyd Impossible. Unless of course, someone s used Rakshata s Radiant Wave surger. Suzaku Hey, has something happened? Lloyd Aha. But it is has nothings to do with us. So just relax and continue waiting. Lelouch Heh. It s even more destructive than I anticipated. We did succeed in isolating Cornelia s unit but we could ve been a bit more accurate. Perhaps I should ve consulted a physics teacher or ask Nina to tutor me in probability. Soldier New enemy force confirmed moving in from the summit. Carius unit is moving to engage them. Cornelia Hoping to take advantage of all the confusion, are they? Soldier Emergency call from Carius unit. Cornelia What s wrong? Soldier It s not the Japan liberation Front, they think it s the Black Knights. Cornelia What? Then it s? Jeremiah Zero. How dare he show up here, Zero! Villetta Lord Jeremiah, you can t just abandon your post. Jeremiah This requires drastic measures. If you want glory in life, then follow me! Lelouch Cornelia has only limited reinforcements headed her way. Smash right through them. Soldier Yeah, we can do this now. Inoue All right everybody? You know the game plan. Our job is to watch their backs. Get ready? Fire! Jeremiah The enemy s taken out Carius s unit? If I can finish this before Zero reaches Princess Cornelia, then I ll be golden. Villetta Lord Jeremiah. Jeremiah Villetta you came. I knew that you would. Lelouch Burn the bridges behind you and keep your back to the wall. Classical strategies remain effective ones, don t they? Jeremiah Zero. Soldier Ugh, damn it. Jeremiah Is Zero here? If he is, then face me. Come forward and fight Jeremiah Gottwald! Lelouch Well, well, it s been a while Jeremiah. So you re still in the army? I d love to stay and catch up but I m afraid I don t have time right this minute, Orange Boy. Jeremiah Orange? Die! Villetta Lord Jeremiah. Jeremiah Stay out of this. This is my duel. Villetta But look at it, I ve never seen a Knightmare like that before. Is it possible that the Elevens have... Jeremiah You think Elevens are capable of such technology? Jeremiah It s fast. This thing, is this what destroyed Carius s unit? Kallen Yeah that s right Britannia. We can finally go up against you on equal footing head on. And our counter attack begins with this baby the Guren Mk-II...Uuugh! Jeremiah Oh hell! There s something on its right hand. But if I keep my distance? What s this? Kallen Sorry. Jeremiah Ah... What-- What the hell s happening?! Villetta Lord Jeremiah, eject. Jeremiah I can t run now. Zero s right in front of me. He s standing right here. Damn it! The auto-eject! Don t you dare activate! I can still get Zero! I know it! I know I can still get him! Aah! Kallen I won t lose! Not with this... Guren Mk-II! Villetta They defeated Lord Jeremiah! Who are the Black Knights? Who are they, these warriors? Lelouch All our tasks at hand have been cleared. The pieces are in position. The only thing left to do is check my opponent s stronghold. Cornelia Uh... Decision time! Even Cornelia will lose with only limited allied reinforcements. Plus we have the Guren Mk-II. I ll capture her, then at last I ll learn the truth about my mother s death. And once she s my prisoner, I win! Barring any unforeseen events, my Black Knights will claim victory!
https://w.atwiki.jp/ddrspwiki2nd/pages/289.html
曲名 アーティスト フォルダ 難易度 BPM NOTES/FREEZE(SHOCK) BRE∀K DOWN! BeForU MAX2 激12 190 403/5 譜面 http //www.ddr.sh/steps/basic/b/break/4m_break_a_p.html 動画 http //www.youtube.com/watch?v=gSrU27I-E9A (x2.0,NOTE) 解説 エンジョイレベル30で解禁。 BPMが高めで、ノート数も多い体力譜面。 8分踏みが中心だが、捻りや縦連が結構出てくる。捻りは全て交互踏み出来るが、譜面認識出来ないとスライド頼りになる恐れも。 動画0 36～0 38にある8分7連の←↑↓←→↑↓と→↑↓→←↑↓は横を向けば交互に踏める。逆足から入れば横を向かずとも交互踏み可能。 名前 コメント コメント(感想など) 総合譜面かつ捻りスキル向上に使えるのでオススメ。 -- 名無しさん (2011-01-02 10 53 53) 旧・足9の中では比較的易しいクラス。中盤のフリーズ+連打や8分回転に注意すれば楽しい譜面。 -- 名無しさん (2011-02-05 22 21 21) 個人的にはCAN T STOP FALLIN IN LOVEto -- 名無しさん (2012-12-01 00 38 15) ↑ミス 個人的にはCAN T STOP FALLIN IN LOVEと並んで足12以上の難易度を感じる曲。密度は少ないがやたら捻りと逆足が多くて普通の１３よりも体力がごっそり持ってかれる。 -- 名無しさん (2012-12-01 00 40 16) 交互に踏めると一気に楽になり、そして楽しくもなる譜面。 -- 名無しさん (2012-12-01 12 47 05) 名前 コメント
https://w.atwiki.jp/satomikko94eng/pages/16.html
Small talkHow are you 反応、言い返し 仕事を始めよう 意見意見を言う 提案 意見を聞く 注意、リマインド プレゼン 契約 給与 グラフ 上司 書類、フォーム 報告進捗報告 会議報告 会議選択肢 Prosさらに強く勧める Cons まとめ 報告 業績 業界 収入 システム開発 組織 説明 ユーザ 人材 Small talk 仕事の話を始める前4-5分のアイスブレイク的会話 How are you Not bad, not bad = So-so / ゆっくり言う What are you doing recently? (Polite) What are you up to these days? (Casual) How s it going? - Pretty good, you? Good to see you again. - Likewise. What are you up to these days? What s up? - Not much. How about you? / What s up?の返しはNot much. か Nothing much. アメリカ英語 反応、言い返し That s a shame. それは残念(軽い) / shameはかなり残念な意味だけど、a shameだとちょっとしたことへの返し No way! (casual) = I can t believe it! (polite) Sorry to hear that. That s great! Good for you! Are you serious? マジで？/ Really?以外も使えるように 仕事を始めよう Ok, let s get to business. Shall we discuss... 意見 意見を言う I want to give my opinion / tellじゃない 提案 上に行くほど強い提案 We have to __ We should probably __ I d like to suggest __ It might be a good idea to __ We may want to consider __ 提案する propose / suggest / recommend 意見を聞く I d like your input (on ...). （．．．について）あなたの意見を聞かせてください。 注意、リマインド Make sure you follow the instructions. / Make sureの後は構文が続く Remember to check that you have the correct address. Don t forget to call me. Make sure you don t reveal confidential information to them. Be careful not to lose your temporary id card. プレゼン I make an internal presentation 社内でのプレゼンテーションを行う / in the companyじゃない 契約 We must terminate their contract クビにする secure a contract / ビジネス get a contract / 個人的な契約 contract workers from outside the company お金を払う価値がある / It s worth the investment. 給与 The company doesn t provide competitive compensation / 他者に負けない報酬と福利厚生を与えない グラフ Sales have been sky rocketing The proportion of it is increasing. / その割合が増えている 上司 He wants me to grow, so he pushes me / 彼は私に成長してほしいので、背中を押す review my work 書類、フォーム Fill in the record sheet with all the relevant info. 報告 進捗報告 Keep me posted. / 何か情報のアップデートがあったら教えてね！（カジュアル） Ok. I’ll keep you updated. Ok. I’ll let you know when we hear something. I d appreciate it if you would keep me posted on. / 丁寧に I ll keep you posted. / 何かあったら報告するよ！ 会議報告 第一候補 / Finally, we agreed that India would be the main candidate 最終決定してない / We didn t finalize the decision yet. 会議 選択肢 We have three choices for the location Tokyo, Hokkaido or Osaka The options are open plan, cubicles or private offices. Pros That would be nice because it s cheap. That would work well because it improves efficiency. さらに強く勧める That would be a good choice. That would be the best option. Cons That probably wouldn t work out so well because it s very expensive. That might cause problems because it reduces teamwork. まとめ To sum up It comes down to whether we ... or ... 報告 最終決定していない We didn t finalize the decision. 第一候補は XXX is main candidate. 決定した？ Have we decided or is it still up in the air? / up in the air = no decision yet 業績 We re trying to bring the company s stock price back up ビジネスを拡大できない It isn t good to boost our business It isn t good for increasing profit It isn t good for expanding our business. 業界 These 2 are market leaders./ その2つが多くのシェアを持つ(業界の中心だ) 収入 It s an important revenue source. / 重要な収入源 システム開発 It will take a few more years. 組織 organizational barriers / 組織の壁 説明 In our job, / 私達の仕事では In my opinion, From this point of view, ユーザ Ther are unhappy with new restrictions Young people are becoming price-sensitive./ 若い人たちは価格に敏感になってきている 人材 highly skilled/ qualified/ experienced people